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Classical concerts featuring
Dmitry Belosselskiy

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Upcoming Concerts

Concerts featuring Dmitry Belosselskiy in season 2024/25 or later

March 17, 2025
Artistic depiction of the event

Un survivant de Varsovie

Mon, Mar 17, 2025, 20:00
Philharmonie de Paris, Grande salle Pierre Boulez (Paris)
Orchestre National de Lille, Philharmonia Chorus, Joshua Weilerstein (Conductor), Lambert Wilson (Rebec), Lambert Wilson (Narrator), Gavin Carr (Chorus Master), Dmitry Belosselskiy (Bass)
The Orchestre National de Lille makes a vibrant plea against the scourge of antisemitism. Evoking the victims of the past, this programme reminds us that, in the words of Bertolt Brecht, ‘the belly is still fertile from which the foul beast sprang’.
May 25, 2025
Artistic depiction of the event

LADY MACBETH VON MZENSK

Sun, May 25, 2025, 17:00
Andris Nelsons (Musical Director), Francisco Negrin (Inszenierung), Rifai Ajdarpasic (Bühnenbild), Ariane Isabell Unfried (Costume), Chor der Oper Leipzig (Choir), Gewandhausorchester (Orchestra), Kristīne Opolais (Soprano), Pavel Černoch (Tenor), Dmitry Belosselskiy (Bass), Matthias Stier (Tenor), Dan Karlström (Bariton), Ivo Stanchev (Bass)
Trapped in a loveless, patriarchal world, Katerina seeks liberation from her tyrannical father-in-law and impotent husband. A passionate affair with the worker Sergey ignites a spark of hope but ends in four deaths. The opera, initially celebrated, drew Stalin's ire, plunging composer Shostakovich into fear and silencing his voice, but fueling the subversive power of his music.
May 29, 2025
Artistic depiction of the event

LADY MACBETH VON MZENSK

Thu, May 29, 2025, 17:00
Andris Nelsons (Musical Director), Francisco Negrin (Inszenierung), Rifai Ajdarpasic (Bühnenbild), Ariane Isabell Unfried (Costume), Chor der Oper Leipzig (Choir), Gewandhausorchester (Orchestra), Kristīne Opolais (Soprano), Pavel Černoch (Tenor), Dmitry Belosselskiy (Bass), Matthias Stier (Tenor), Dan Karlström (Tenor), Ivo Stanchev (Bass)
Trapped in a loveless, patriarchal world, Katerina seeks liberation from her tyrannical father-in-law and impotent husband. A passionate affair with the worker Sergey ignites a spark of hope but ends in four deaths. The opera, initially celebrated, drew Stalin's ire, plunging composer Shostakovich into fear and silencing his voice, but fueling the subversive power of his music.
June 1, 2025